My more recent fine art training influences my paintings and present-day ceramic pictures. E.g. 'Moving On' and 'St Agnes Beacon Anemonies'.
Horticulture has had a strong theme in all my work. As a florist and gardener's daughter it's a subject I am drawn back to because of the form, colour and transience of natural subjects. I often develop flowers and foliage into pattern linking it to medative prayer, a visual form rather than verbal, as the Medieval monks did in The Books of Hours and as the Muslims do in their intensely decorated temples. They are designed to be visually comfortable so to engage but not distract.
My 'people' paintings are insights into the fleeting nature of life. Grief and Change and how it moves me and I try to capture a 'moment' using oil, acrylic and pastel for these layered and richly emotive images.
Victoria Hilliard 2008
"Clay sculpture is perhaps the most recognised of the 3 Dimensional illustrative mediums. It has a more traditional basis in 3D art and the creative director can feel secure in its audience appeal. Clay sculpture allows the sculptor to explore the whimsical and imaginary as well as the purely representational. This beautifully decorated clay adds to the appeal of this very tactile illustrative form"
From The International 3d illustration awards 1V, Victoria Hilliard, a Silver and Bronze award winner.
It can take years sometimes for ideas to take root and ferment, and then finally come out as a finished work. My head never stops collecting, developing, absorbing colours or sketching ideas. I have far more ideas than I can produce, which is frustrating. Much of my time is taken up in the organising, delivering, and selling the work. I also have a family that take time, so my actual studio time is tight.
I show in selected galleries all around the southwest at the moment. I have in the past shown a lot in London and even New York, But for now I get much pleasure from being part of Artspace, an artist led co-operative in St Ives. I am loving it's localness and busy-ness. I enjoy chatting with the visitors; they always have some interesting opinion to share. And it breaks the 'aloness' of being in the studio.
My work is informed by a cocktail of; horticultural experience in Cornwall and Scilly, training in Graphics and Fine Art, an extensive family who all seem to be creative in one way or an other, parents who were market gardeners and potters, brilliant teachers, the earth and all the Penwithian life around me.
| Born 1960 | The following are solo shows unless otherwise stated. |
| 1977 - 1979 | Exeter Art College |
| 1988 | Bient and Bient London Liberties London |
| 1990 | Wolf at the Door: Cornwall |
| 1991 | The Hat Shop: Powys |
| 1992 | Stephanie Hopen London & New York Cot Valley : Cornwall Chelsea Craft Fair1992 |
| 1993 | Sudley Castle: Cheltenham Tresco: Isles of Scilly Black Swan Gallery: Somerset Church Street Gallery: Stow Cotswolds Chelsea Crafts Fair 1993 The Old Chapel Gallery : Hereford |
| 1994 | Saltram House Exhibition: Plymouth. International 3D Awards Publication - 4 Bronze Awards Poseidon Films - Ceramic sculpture used in a Film. Textile Design for Prima Vera, a tapestry company Two commissions for Automobile Association on the Of R G Mackintosh. Chelsea Craft Fair 1994 Trellisick House, National Trust, Christmas show Church Street Gallery, Stow. Christmas show |
| 1996 | Trellisick House. NT. Cornwall. Church Street Gallery. Stow. Mixed exhibitions. |
| 1999 | Mixed exhibitions at The Rainy Day Gallery. Cornwall Mid Cornwall Galleries. Cornwall Trellisick House NT. Cornwall |
| 2000 | Vena Bunker. Bristol solo show. Church Street Gallery. Stow. |
| 2002 | Vena Bunker. Bristol solo show. |
| 2003 | A member of the Guild Of Ten, Cornwall. An artists Co operative in Truro. |
| 2004-06 | Completed a full time Fine Art degree at Cornwall College. Continued to exhibit around Cornwall galleries. |
| 2006 | Work shops with mothers returning to Education. Galleries around Cornwall. |
| 2006-7 | Various Art and Craft fairs and mixed shows in Galleries around England. |